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Furthermore, because Ningzhi and Wei Guang both have the same goal in mind of stabilizing the nation and its people, their romance often takes a second seat. This seems quite unbelievable for a palace drama, but it is welcoming to see that Ningzhi never wavers. While Ningzhi does indeed enter the palace, she never falls for the king and does not consummate their marriage. Lang Kun, on the other hand, gives our leads numerous troubles, but he also has unexpected sides to him that one wouldn’t expect from a so-called villainous character.Īnother distinction comes from the way the romance is portrayed. However, the Empress has both a warm and cold side to her that makes her memorable and likable. This characterization piqued my interest namely because secondary characters in palace dramas are usually one-dimensional with one overpowering trait. The Empress, in particular, lets go of Ningzhi multiple times despite her daring actions, which makes her an unexpected frenemy. Ningzhi’s brave but playful actions would potentially get her killed in other palace dramas, but this show lessens the tense and cold atmosphere of the palace through its portrayal of the Empress ( Cao Xi Wen) and Lang Kun ( Wayne Lai). The different takes of the central characters and the romance Their tacit understanding of each other also allows the romance to never really steer into a tragic or angsty direction, even though they face countless obstacles in reuniting. The fact that the leads reach out to communicate their problems and remain openly honest with how they feel exudes a freshness to this story. At most, it only lasts for a few episodes, so conflicts between the two never escalate to a point of frustration.
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They both value and have faith in the capabilities and loyalty of the other. Even though they run into trials where mistrust breeds and doubt enters their minds, the misunderstandings quickly get addressed and cleared up. One of the most noteworthy aspects of the show has to do with Wei Guang and Ningzhi’s deep trust. Main leads who communicate and do not drag out misunderstandings Thus, the drama goes beyond the common portrayal of a woman who vies for power and shifts the focal point to what a woman of power can do for the weak and powerless. While she is tied down to her fate as a concubine, she accepts the weight of responsibility she has to undertake as someone from the royal family. However, because the drama strays from this, Ningzhi’s maturation becomes much more meaningful. In fact, it focuses on it so strongly that a turn for the angsty and typical fanfare of betrayals and harem drama almost seems a given.
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This comes as a surprising direction for the storyline, especially since the beginning of the series focuses on Ningzhi and Wei Guang’s romance. She starts off as a lively young girl whose main worry comes from chasing after Wei Guang to becoming a female official and concubine who puts the safety of the nation above all else. This distinction brings in a good opportunity for the protagonist Ningzhi to show character development.
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Rather, “Legend of the Phoenix” has chosen to center its plot on the weak dynasty, inadequate ruler, and the various complications that put the nation in danger. Unlike other palace dramas, this series does not have a strong focus on the harem. The focus on politics over the inner court Here are three ways that it does just that! “Legend of the Phoenix” stands out from other Chinese costume dramas in that it diverges from the typical trajectory of palace stories. Ye Ningzhi later enters the palace, resolving to protect the citizens of Eastern Liang. She gets embroiled in the power struggle between Emperor Pang Tong ( Cui Peng) and Grand Princess Pang Zhen ( Liu Min). “ Legend of the Phoenix” follows Ye Ningzhi ( He Hong Shan), a sprightly circus performer who falls for Wei Guang ( Jeremy Tsui), a strategist for the royal palace.